From that point, Vigée Le Brun was the queen's favorite portraitist, creating 30 portraits over the next decade of the ruler who preferred fashion to royal protocol, often causing a scandal in the process. Vigée Le Brun's fame was secured in 1778 when she was summoned to paint her first portrait of the young Queen Marie Antoinette.From such inauspicious beginnings, Vigée Le Brun developed into one of the leading artists in all of Europe, able to command higher prices for her portraits than any other artist of her time. Her father's early death, however, and the inability for women to receive training as an apprentice or in the academy, meant that the artist was virtually self-taught. The vast majority of women who were able to make a living in the arts learned their trade from their fathers, as did a young Elisabeth Vigée. The odds facing women artists in the 18 th century were nearly insurmountable.What first caused scandal, however, soon became style, as the pleasing naturalism and relaxed manner of Vigée Le Brun's portraits became immensely popular among the elite and trademark of the artist's distinctive style. For example, the welcoming gestures and slightly open-mouthed smile, as if in greeting, found in many of her portraits caused quite a stir when debuted. Although the portraits of Vigée Le Brun might look traditional to contemporary viewers, she was not shy in breaking established norms in the genre. In all, the prodigious artist produced approximately 800 paintings with a long list of royal patrons actively seeking her flattering portrayals across Europe. Madame Le Brun, as she was commonly known, was an embodiment of French aristocratic culture, which remained a key trait of her style and success in her period of self-imposed exile during the French Revolution. In her hands, we see Marie Antoinette take on the roles of queen, equestrian, fashionista, and mother - some portraits are scandalous while others follow royal protocol. She quickly won over her most famous and loyal supporter, none other than the controversial Queen of France, Marie Antoinette. The active engagement between the artist and her subject is evident in the finished portrait, as her sitters appear both relaxed and animated. Normally a tedious process, Vigée Le Brun's reputation as a lively conversationalist, in addition to her demonstrably expert talent as a painter, were significant to a clientele that often dreaded the notion of having a portrait made. Grace, elegance and a welcoming manner, these words might as easily describe the personalities portrayed in the portraits by Elisabeth Louise Vigée Le Brun, as the artist herself. Summary of Elisabeth Louise Vigée Le Brun
0 kommentar(er)
